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CONTAINS SPOILERS
Movies can be reviewed in many ways. "What was this film compared to what I expected?" "What was this film compared to what I enjoy?" "What was this film compared to what I think the producers / director intended?" Always keep that in mind when reading reviews. As I began watching this movie, I wasn't enjoying it, because a) it wasn't what I expected and b) it didn't seem like the sort of thing I usually enjoy. But when I began to understand what this movie was really all about, I loved it.
Anger Management is nothing less than a very enjoyable, funny insight into the nature of all anger. Psychologists and spiritual types alike will tell you that all anger we feel toward others is ultimately anger we feel toward ourselves. That can often be hard to swallow when we're feeling hacked off at someone for something they did to us. But what this film shows us, gradually, and in a very sneaky way, is that most of us are a lot angrier inside than we care to admit, and that, in truth, the person we're most angry with is ourselves. And only when we deal with that can our lives get better and happier.
Sandler plays a typical hard working Joe (Dave Buznik) who's having a very hard time getting ahead in the world. No matter how hard he tries to please his boss, nothing is ever enough, and he's consistently passed over for opportunities to advance. And he's beginning to have doubts about his girlfriend, played by Marisa Tomei, as her best friend just happens to be a guy with the largest equipment Dave has ever seen. Despite set back after set back, kind hearted Dave persists, swallowing his pride, putting up with his boss and his love frustrations, hoping some day things will turn around for him.
Then, one day, quite calmly, he asks for a set of movie headsets on a long flight and ends up being arrested for assault and battery. He's done nothing more than touch the flight attendant on the arm and calmly repeat his request for a headset, and still, he ends up in court. Assuming that things will be quickly cleared up as he has actually done nothing wrong, Dave is shocked when the situation blows up in his face. In a heartbeat, Dave's simple, if depressing life, has been turned completely upside down, and he's facing a choice between a prison term or living each day with one of the most annoying therapists ever to walk the face of the earth.
After just a few days of living with Jack Nicholson's character, Dr. Buddy Rydell, Dave is beginning to wonder if prison might not have been the better choice. Try as he might to comply with the extreme and completely unconventional demands of his therapy (such as stopping a car in the middle of a bridge in rush hour traffic to sing "I Feel Pretty"), it seems more to Dave that his therapy is specifically designed to make him crazy and ruin his life than to help with some imaginary anger problem he never had in the first place.
The movie climbs through a series of increasingly proposterous situations as Dr. Rydell seems bent on stealing Dave's girl and leaving him jobless and penniless. On the verge of losing everything, Dave finally snaps and really does become angry ... and with good reason. Rydell HAS been trying to ruin his life and steal his girl ... to help Dave admit to being angry, perhaps for the first time in his life. Dave is the kind of guy who has sucked up other people's abuse all his life, never allowing himself to get angry, even when he had reason to. Dave HAS an anger management problem ... he doesn't allow himself to get angry or to admit what he's angry about. We think of anger management as a class for people who can't control their anger, and who unleash it too often in inappropriate situations. This movie ... surprise ... is about someone whose problem is quite the opposite. Only when Dave finally gets angry at how completely out of control his life is getting, does he discover his REAL problem ... he's been letting people walk on him all his life. And the person he most needed to get angry with was himself ... for letting his life become such a mess while trying to live up to the expectations of everyone around him while forgetting about himself.
In the end, it turns out that everything that's happened since Dave sat down on the airplane has been a set up. His loving girl, Linda (Marisa Tomei), set the whole thing up with Dr. Rydell to help push Dave "gently" over the edge and help him finally get angry enough at himself to stop letting other people push him around.
As someone who suffered from this same problem for most of my life, when the point of this movie got to me, I was utterly blown away. I never saw it coming. When I was younger, I used to let people walk all over me, making my own life a living hell by allowing others to make of my life what they wanted, then blaming them for what my life had become. NO one can make anything out of your life other than what you want, unless you let them. And if we choose to let other people push us around, we are allowing them to have our way with us ... and that choice ... our choice ... is what makes our life a mess. Only when we recirect our hidden anger away from other people and get fed up ourselves with our own willingness to be walked on can we finally start enjoying the kind of life we always wanted all along.
If you don't get the deeper meaning of this movie, it can seem to be a very silly, stupid flick, with one apparently crazy scene after another stacking up to a huge pile of silliness. But it all has a point ... just how completely stupid will some of us let our lives become before we finally scream ENOUGH!!! and stand up for ourselves and begin making out lives what we want them to be.
Like many of the movies with which Sandler has been involved for the past several years, Anger Management is a sleeper. I was never a fan of Sandler in his younger days, but I have a ton of respect for him now. His recent work consistently serves up deep insights into the nature of the human heart, cloaked in what appears to be mindless silliness that is anything but. Sandler's genius is helping us learn about ourselves while keeping us laughing. It's brilliant, and I thank him for it.
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The Kingdom is an action film that may have simple skin, but it in fact has some intelligence underneath it. This is a very good political action thriller that has high-octane action and lots of suspense. Unfortunately, some of the casting is a bit off: Jennifer Garner and Jason Bateman give wooden performances. That's why I can't give this movie five stars (well, that and a few draggy scenes). Still, The Kingdom is a tightly written, well-directed, and highly explosive political action film. It doesn't have as much as action as, say, Hard Boiled or Face/Off, but it does give a very powerful message about terrorism and the negative perceptions about Islam and Muslims in general. This film doesn't disrespect Islam, but it does tell us about how people use religion as an excuse to get a point across. All in all, this is a good action film that's worth seeing if you're into politics, religion, and of course, action.
Grade: B
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I see that this is a 1990 movie, so, presumably, everyone but me, has had a chance to see and form an opinion about it. From what people tell me Kiefer Sutherland and Julia Roberts have gone on to great success and I have heard the name Kevin Bacon. This has to be taken, therefore, as a bright opening up of careers for a number of actors. As a film, it held me in its grip through its pseudo-scientific scientists (medical students) and the effectiveness of some of their post-death experiences. Can't ask for much more than that in a DVD. That the "sins" which were brought to life by death were trivial is beside the point; no good Freudian would question the impact of such memories on the normal adult. Somehow, however, in a film propounding the profound significance of what these experimenters did, the kind of memories brought forward hardly made the grade, save in one case. Nevertheless, as I said, the film intrigued and should entertain those who may not have seen it.
Why do I (as the four experimenters do) place this in the long line of films propounding a sectarian religious thesis? Simple! It reaffirms the afterlife experience so central to the religious thought of many. That is, even while showing clearly negative responses to these experiences, it is reinforcing the notion that there are afterthoughts even though brain dead. No matter. One can deal with that element anyway one chooses and still be caught up in the film.
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